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François-Frédéric
Guy is widely regarded an outstanding interpreter of the German Romantics and
Beethoven in particular, whose piano sonatas he has recorded in their entirety
along with works for cello with Xavier Phillips, for violin with Tedi
Papavrami, the 5 concertos with the O.P.R.F. under Philippe Jordan's direction,
and recently released in play/conduct with Sinfornia Varsovia.
Over the course
of his career he has performed many different concertos from Brahms to
ProkoGiev and Bartok, with some of the world's greatest conductors including
Marc Albrecht, Fabien Gabel, Bernard Haitink, Daniel Harding, Philippe Jordan,
Sebastian Lang-Lessing, Kent Nagano, Michał Nesterowicz, Kazushi Ono, Josep
Pons, Pascal Rophé, Esa-Pekka Salonen, Wolfgang Sawallisch, Michael Tilson
Thomas, Antoni Witt and Jaap van Zweden. He performed with renowned orchestras
such as the Wiener Symphoniker, NDR Hamburg, Orchestre de Paris, Orchestre
Philharmonique de Radio-France, Seoul Philharmonic, Japan Philharmonic,
Philharmonia Orchestra, London Philharmonic, BBC symphony and San Francisco
Symphony among others.
Since 2012, he
regularly conducts orchestras from keyboard, including the Royal Philharmonic
Orchestra of Liege, Sinfonia Varsovia, Orquesta Sinfónica de Tenerife, the
National Orchestra of Pays de la Loire.
He has been
associated artist in residence at Orchestre de Chambre de Paris from 2017 to
2020 culminating with a play/conducting complete cycle of Beethoven concerto in
Paris ,Theatre des Champs-Elysées for Beethoven 250th anniversary ending with
standing ovation.
He has a strong
commitment with music of our time and premiered many works by Ivan Fedele,
Hugues Dufourt, and Tristan Murail among others. He will premiere the new piano
concerto by Murail in 2021-2022 season in Tokyo Metropolitan Opera, Auditorium
de Radio- France in Paris, and Elbphilharmonie Hamburg.
In the
2019-2020 season he continues with his interpretation of the complete Beethoven
Sonatas in Seoul and Tokyo. He also performs in recitals and with orchestras in
London, Paris and Warsaw, at the Festival International de Piano de La Roque
d'Anthéron, the Enescu Festival in Bucharest, the Arsenal in Metz, Pordenone in
Italy.
He starts 2020-21 season joining Orchestre Symphonique de Montreal and Christoph Eschenbach for a Beethoven piano concerto cycle.
루트비히 판 베토벤 Ludwig
van Beethoven
피아노 소나타 제14번 c-sharp단조,
‘월광',
Op.27/2
Piano Sonata No.14 in c-sharp minor, "Moonlight",
Op.27/2
Adagio
sostenuto
Allegretto
Presto
agitato
피아노 소나타 제12번 A-flat장조,
‘장송행진곡',
Op.26
Piano Sonata No.12 in A-flat Major, "Funeral March",
Op.26
Andante
con variazoni
Scherzo.
Allegro molto
Marcia funebre sulla morte d'un Eroe. Maestoso
andante
Allegro
피아노 소나타 제25번 G장조, ‘뻐꾸기', Op.79
Piano Sonata No.25 in G Major, "Cuckoo", Op.79
Presto
alla tedesca
Andante
Vivace
INTERMISSION
피아노 소나타 제27번 e단조,
Op.90
Piano Sonata No.27 in e minor,
Op.90
Mit
Lebhaftigkeit und durchaus mit Empfindung und Ausdruck (Con vivacita e sempre
con sentimento ed espressione)
Nicht
zu geschwind und sehr singbar vorgetragen (Non troppo vivace e cantabile assai)
피아노 소나타 제28번 A장조,
Op.101
Piano Sonata No.28 in A Major, Op.101
Etwas
lebhaft, und mit der innigsten Empfindung (Allegretto ma non troppo)
Lebhaft, marschmässig (Vivace alla Marcia)
Langsam
und sehnsuchtsvoll (Adagio ma non troppo, con affetto)
Geschwind,
doch nicht zu sehr und mit Entschlossenheit (Allegro)
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루트비히 판 베토벤 Ludwig
van Beethoven 피아노 소나타 제14번 c-sharp단조,
‘월광', Op.27/2 Piano Sonata No.14 in c-sharp minor, "Moonlight",
Op.27/2
피아노 소나타 제12번 A-flat장조,
‘장송행진곡', Op.26 Piano Sonata No.12 in A-flat Major, "Funeral March",
Op.26 INTERMISSION 피아노 소나타 제25번 G장조, ‘뻐꾸기', Op.79 Piano Sonata No.25 in G Major, ""Cuckoo"",
Op.79
피아노 소나타 제28번 A장조,
Op.101 Piano Sonata No.28 in A Major, Op.101
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